“The World’s End”
Well, well, well what do we have here? Could this be my inaugural film post on the Dungeon Crawlers Blog? If you said yes, you would be correct you may now have a cookie. I thought long and hard about what I wanted my first post to be, the guys here at DCR have been so great to me that I knew I needed to really come up with a flick that would be epic, and loved by all. A movie that the entirety of geekdom could embrace, one that screamed “Look at me, I’m AWESOME!” Luckily for me, and by me I mean you, I was able to catch a showing of the The World’s End last night, and let me tell you what. It was great, it had everything that we’ve come to expect from a Wright/Pegg script with Wright’s direction.
I’m going to try something different with this review and will be breaking it up into three distinct parts; the three that I feel best encompass the film. I’ll do my best to leave out all spoilers, not because I’m worried you might hate me but because I know my friends will hate me and I’ll never hear the end of it.
The three main points as seen by Ben:
They might not make sense to you now, but this is my review and I can get away with pretty much anything I want here so “ha!” So when I say “comedy” what I am referring to are the laughs, and when we think about who is behind this movie we are expecting big ones. The “action” is pretty self-explanatory, Edgar Wright more than proved that he could film an action flick with Hot Fuzz and Scott Pilgrim vs The World and he didn’t slouch here either. Now when we get to “heart” I’m more talking about how the movie affected me, how I felt during and after. All decent films have one thing in common, they all made you feel something, whether it was good or bad that doesn’t matter. And the really good ones have you talking about it for hours afterwards. Being a millennium has its perks one of which is the Facebook Group Chat feature, I’ve been involved in a chat that is going on about 12000+ individual messages completely dedicated to this great art and this where I am able to discuss the truly great movies, well there and now here.
The World’s End is funny; there is no other way to put it. You can tell the actors had a great time making it, and why wouldn’t they? The majority have been great friends for years popping up in each other’s projects time and time again. And I’m okay with that because it works, they have chemistry and that’s what counts. In the movie you’ll see that in bunches, Pegg’s “Gary King” character is great, and it’s even better to see him in a silly role again, one that he got to just have fun with. Frost had a chance to play against type instead of the lovable buffoon he got a chance to be the straight-laced everyman and it worked beautifully. I approve whole-heartedly.
Action: Were you as impressed with the fights in Scott Pilgrim as I was? Then you’re gonna love this one, the fights were well choreographed, and fun to watch. Which is all you can really ask for in a movie like this. Nick Frost does shine in his role, and is worth a viewing just watch him kick some ass. Go see it now, actually you should probably stop reading here and go see it now. Just bookmark this page, hop in the car, head to over to your theater of choice (we all have one), walk in and politely ask the theater attendant which theater you’re in, and then promptly sprint to your seat. All settled? Good, we’ll talk soon.
Waiting… Waiting… Waiting… Waiting… Waiting… Waiting… Waiting… Waiting… Waiting… Waiting…
There now don’t you feel better? You’ve seen the movie, you understand the hype and you’re excited to finish this article. From here we’re going to talk about “heart.” You saw it; you know what I’m talking about. At its center the movie is about friendship and growing old, Ideas that we can all relate to ones that a lot of us are still worried about. I don’t want to get too much into this section because I would rather you see it for yourself.
No one can question Guillermo del Toro's passion for Japanese monster movies. The fan boy-friendly director, who earned his Comic-Con bona fides by crafting oddball fantasias including Pan's Labyrinth and the Hellboy films, has spoken at length about being weaned on creature double features as a kid in Mexico. And it wasn't just the granddaddy of all man-in-a-rubber-suit behemoths, Godzilla, who cracked open his mind. He also swooned over the more esoteric beasties in Toho Studios' kaiju (i.e., giant monster) stable — titanic brutes like Mothra, Megalon, and Mechagodzilla. It goes without saying that del Toro's geek credentials run deep.
Now, with his latest film, the gargantuan monsters-vs.-mammoth-robots smackdown Pacific Rim, del Toro has somehow persuaded Hollywood to bankroll his tribute to the giddy junk food he grew up on.
Set in the not-too-distant future, Pacific Rim picks up after a string of apocalyptic sea-monster attacks have reduced San Francisco, Manila, and Cabo San Lucas to dust. It turns out that a breach in the bottom of the Pacific Ocean has ripped open and loosed an armada of kaiju. Humanity is defenseless against their massive, razor-toothed maws and battering-ram limbs — at least until the military's high-tech Jaeger program is conceived. The Jaegers (German for ''hunters'') are 25-story robots operated by two human pilots whose minds are neurally linked in a process called ''the drift.'' The Jaegers are only as good as their operators, who must be able to read each other's thoughts and intuit each other's next moves. Go-it-alone rebels need not apply. But of course one does: Raleigh Becket (Sons of Anarchy's Charlie Hunnam), a hotshot pilot whose brother was killed in a kaiju rampage and who's so wild and unpredictable he might as well have the name ''Maverick'' stenciled on his helmet. It doesn't help matters that Hunnam has to bark goofy lines like ''Stay in the drift, the drift is silence!''
Del Toro weaves his very own mythology throughout the film, circumventing the massive battle sequences and creating some minor but zany depth to this world, like creating the “drift”, a temporal connection between the Jaeger pilots, which allow their minds to connect as one; or the mysterious monster world which exists in another dimension and is the true origin of our dinosaurs. This mythology is pure Guillermo del Toro but the director, as well as co-writer Travis Beacham only scratch the surface of what could be mined. They leave the fun mythology and “science” stuff to two wacky opposing “scientists,” both tongue-in-cheek stereotypes. The first is Charlie Day doing a wonderful Rick Moranis/Bobcat Goldthwait one-off as the overzealous and nerdy Dr. Newton Geiszler and the classically German mad-scientist Gottlieb (Burn Gorman). More than any other character in the film, these two embody that wildly imaginative del Toro mind.
The film does become stagnant in between the battle sequences. During these scenes the story relies on training montages or jealous in-fighting between the Jaeger pilots, which is rather dull compared to the battles and the mythology. The stale acting does not help these moments either. The film could be far better if the bridges between the battles were more involving.
The scenes of mass destruction are obviously frequent throughout this epic battle between 25-story tall robots and massive dinosaur-like monsters, but what separates this heap of destruction from other recent fare like “Man of Steel” and “Transformers” is that del Toro never stops to show us just how “awesome” the destruction is. Thankfully he spares us those overlong 20 to 30 second shots of skyscrapers crumbling to the ground, which would put “Pacific Rim” in the graveyard of broken cinema. The focus during the battles is almost always on the Jaeger and Kaiju.
“Pacific Rim” is never pretentious and is often funny, which makes it lofty and entertaining, despite some rancid performances. Except for Charlie Day, Ron Perlman and the sublime Idris Elba, the performances are often cringe-worthy. Under ordinary circumstances, bad acting can sink a film, but del Toro has presented such an extensive buffet of goodies that it’s easy to look past the acting (it’s not as if the characters require top-notch acting in the first place) and get lost in this brave new world. Elba, of course, steals the show as the no-holds-barred commander Stacker Pentecost. His great line “Today we are cancelling the apocalypse” has already made it into this year’s pop culture lexicon and is one of the highlights of the film.
Finally, props to Warner Brothers for releasing a wildly imaginative sci-fi romp of this scale which isn’t a sequel or remake. Despite “Pacific Rim’s” flaws, here’s hoping enough people see it and like it to send the message to all the studios that it’s not always a bad idea to produce new material, especially from directors like del Toro who certainly knows how to make a commercial film with a unique and visionary style.
So let’s start back about a year ago when the first trailer for Man of Steel came out, many of us were doubtful. Warner Bros. seemed to have no idea how to adapt any of their DC Comic universe outside of Batman (which was thanks to Chris Nolan), and director Zack Snyder was a known abuser of slo-mo that had just come off the craptastic bomb Sucker Punch. On top of that, the less that is said about their Green Lantern attempt, the better.
Then, as more trailers came out and plot details were revealed, I became more and more optimistic. After the three minute trailer that came out around April, I noticed general anticipation had shifted dramatically in the right direction and continued to build to a crescendo ever since. I got a chance to watch Man of Steel opening weekend. Did it soar…or suck? Minor spoilers ahead.
My thoughts? I loved Man of Steel. This film finally takes Superman in the right direction cinematically, dropping him in a modern world that is in desperate need of a Superman. As great as the Christopher Reeves Superman films were, the last one came out over 25 years ago. We really need to move on.
Thankfully, Warner Bros saw that after the poorly received Superman Returns. Was the film perfect? Not by a long shot. While there were a few moments of levity here and there, like when Clark first learned to fly and during his interaction with Lois after he dons the famous suit, the film does feel a bit too serious and even dour.
Along with that, it would have been nice to see a distinct showcase of Superman’s abilities in use when he was fighting Zod and his cronies. That would have been his edge on these Kryptonians who had little experience with the use of their abilities.
Plus, something that was unanimously an issue with fans was how during Zod and Superman’s borderline demolition of Metropolis, Superman gave not a whit of interest in the collateral damage. That is always a big aspect of Superman, trying to contain a superpowered fight away from the civilians. The causalities must have been in the thousands given how many skyscrapers they knocked over. Even though he stopped Zod, why would the US or any country trust him given how much destruction he and his kind caused across just one major city? Just saying.
Now, what worked?
First off, Krypton does explode so we can all relax there.
Let me also say that the reimagining of Krypton was amazing!! This is very different from any other iteration of that planet on or off screen. I can’t say how much I was relived to not see the same ice sculpture with the dome a top it. Finally we get to see Krypton as something more. The technology is very advanced, liquid metal at times in ways that are reminiscent of The Matrix. Even the little details such as the family crests are fantastic. Apparently, they made over 300 different family crests for this film. All the political intrigue and coups prior to Krypton’s destruction really worked for me, partially due to Michael Shannon and Russell Crowe owning the scenes they were in together. I could have stayed longer on Krypton before its explosion, but obviously the story was about Superman.
And Henry Cavill IS Superman. He’s everything a fan could hope for in a new Man of Steel. The character doesn’t need to be dark and gritty just to adapt to modern times. However, I like how we see Clark choose to become Superman instead of getting brainwashed for 12 years by his bio daddy. Along with that, Clark is still finding his footing in this new role, and Cavill embodies that loneliness and confusion in the earlier parts of the movie perfectly.
I was at first hesitant about Amy Adams as Lois, mainly because of the huge age difference and that she looked more like a Lana Lang than a Lois. But she worked for me very much, a tough as nails woman who’s good at her job but still has an overwhelming knack for getting into trouble.
Michael Shannon owned as Zod. He was not a caricature, but a man who was literally made from birth to be a soldier. His sole purpose is to protect Krypton. Anyone who gets in his way is an obstacle that must be removed. Antje Traue worked wonderfully as Zod’s right-hand Faora, not saying much but delivering ass-kickings when needed.
All the supporting cast worked for me, too. Russell Crowe and Kevin Costner added gravitas as Clark’s two fathers, though I could have done with a little less of the constant hammering home of Clark’s greater destiny. Lawrence Fishburne could have gotten a little more to do as Perry White, but I’m guessing we’ll see that in later films.
I did like how the Superman name came to be in this film. Lois was about to name him that before the Army rudely interrupted. But the name got bandied about given the S on Clark’s chest, which is the family crest of House El and stands for Hope.
A big change that I enjoyed but might irk long-time fans is how Superman and Lois first meet. Not to spoil this, but it actually makes a lot of sense given the modern day context of the movie. I mean, Lois IS a Pulitzer Prize winning investigative reporter and not an idiot.
Another smart choice David Goyer and Zack Snyder made was how all the other Kryptonians in Zod’s crew didn’t adjust so quickly to Earth’s Sun (unlike in the show Smallville). Zod, when his protective helmet gets damaged, is overwhelmed at first by all his enhanced senses. And other than Zod, who worked to master his new powers, all the other Kryptonians could only Hulk-leap to get where they were going instead of flying outright.
Superman having trouble fighting Zod and his soldiers at first made perfect sense as well. For one, from what we can tell, the Superman in this film had never really used his powers in a fighting capacity before Zod arrived. Two, he has never encountered any person as strong as him, let alone several people. And three, Zod and his officers are all trained soldiers bred from birth to be the best, whereas Clark is not. This made for very interesting fight sequences in both the battle of Smallville and Metropolis.
And of course, the final battle between Zod and Superman. Other than the potential collateral damage that I had issues with, this fight made the destruction of New York City in The Avengers look like a minor earthquake. I’m glad we finally got to see Superman fighting a superpowered foe and the devastation that could occur because of this. Which leads us to how the fight ended.
PROCEED AT YOUR OWN PERIL.
Superman kills Zod. Now, everyone knows that Superman has a very strict no-kill policy. It's as distinct as his red underwear (which is sadly missing from his suit this time around). However, Zod had nothing left to live for after Superman foiled his plan. So he forced Superman’s hand by trying to barbeque some innocent civilians with his heat vision. Despite Superman’s pleas for him to stop, Zod refused. So Clark had no choice in the heat of the moment (no pun intended but it stays) but to kill him.
Many people hated that, but I loved this moment. Superman just killed the last remnant of his race, and hates himself for it. Henry Cavill’s reaction made that scene much more powerful. Plus, for people complaining that Superman is so perfect, he had to make a very real choice between the lives of civilians or the last of his kind. Superman chose Earth. Either way, I hope that we see the ramifications of Zod’s death ripple through the next Superman films. And, to go full geek on all of you, Superman hads been forced to kill a few times in the comics, mainly Zod.
Now that Man of Steel has come out and is cleaning house at the box office, my questions is what’s the plan? One of my biggest issues with how DC/Warners has handled their comic properties is not having a clear plan. As of right now, we know that Warners is fast-tracking a Man of Steel sequel with both Zack Snyder and David Goyer returning. Other than that, we hear Warners is developing a Wonder Woman movie or considering a Flash film or wanting to do a Justice League film in 2015. However, they have not revealed any type of release strategy for their DC Movie Nation.
Having a clear plan and sticking all those milestones is one of many reasons why Marvel has been so successful in their Shared Cinematic Universe.
The Monday after the first Iron Man film broke bank, we got a three year release schedule from Marvel. DC/Warners needs to show us what the road is to Justice League, and deliver on those dates.
Right now, they’ve grabbed the public’s interest in a larger DC Universe. Now they need to take their time, not rush into Justice League yet, introduce us to some characters other than Batman or Superman, and make movie magic.
Over the past 50 years James Bond has had no shortage of lovely ladies. Shortage of good scripts or directors... maybe. But of babes? Never.
Here's a very well-made infographic of all the Bond girls put together by CableTV.Com celebrating the Golden Anniversary of 007.
My vote for the hottest Bond girl since I've been born has to be Famke Janssen. Her look is totally dated now, unlike the timeless bond girls of the now cool again 60's, but she had my full attention in Goldeneye.
Cutest has to be Gemma Arterton in Quantum of Solace.
Stupidest... Halle Berry. She was the icing on the "this movie is terrible" cake.
Who are your favorite Bond girls???
Here's a quick casting update letting you know that Luke Evans will play the villain in Fast and Furious 6. Earlier this month we learned that he was offered the role, and now it looks like he has taken it, as he's in the final stages of negotiations.
The actor joins Paul Walker, Vin Diesel, Dwayne Johnson, Michelle Rodriquez, and possibly Gina Carano in the heist film that is said to be "their most dangerous adventure yet."
Evan's has recently been seen in Immortals, The Raven, and will also be in Peter Jackson's The Hobbit. I'm sure Evans will make a great villain in this franchise, and I'm looking forward to seeing Justin Lin's transition from street racing to heists.
Joseph Gordon-Levitt is developing a remake of the classic musical about a killer alien plant, Little Shop of Horrors. There's a big possibility that he'll end up starring in the film as well, which is set up over at Warner Bros.
This would be the third time that this Little Shop of Horrors got the big screen treatment. The original film came from Roger Corman in 1960. The story followed an unconfident florist who becomes successful after he discovers an unusual looking plant that turns out to be an alien from outer space who eats people. It was then turned into an off-Broadway musical. Then in 1986 Frank Oz remade the movie with Rick Moranis, Steve Martin, and the best movie cameo ever by Billy Murray.
If everything falls into place, Gordon-Levitt will take on the lead role of Seymour, the geeky florist who "is forced to feed the beast in order to keep his fame and popularity rising."
There's no director attached yet, but I think it's a great project for Levitt to tackle. The guy fits the role and he seems to really enjoy singing. I can see him doing a great job with this film project, and I'm looking forward to seeing what becomes of it.