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Nathan Robinson

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I feel somewhat silly asking this, but the Wild Talents 2E rulebook keeps likening heavy armor as a "really thick eggshell" that is "all or nothing".

I was under the impression for quite awhile that Heavy Armor and Interfering defends powers really were all or nothing.

For example, I thought that if someone had 5 heavy armor, and an attack of width 5 hit it, nothing would get through, but if an attack of width 7 hit it, the person wearing the armor would take the full seven damage. Reading through again however, I can't find anything to support this, so it makes me think that a person wearing heavy armor 5 hit with an attack of width 7 would take 2 damage.

Which interpretation is correct?

Gamer Forger Response:

You want our badge? You got it! DCR says:

1. A paladin, we get. Druids are a different beast altogether. In fairness, the second edition as a whole was so very different from its predecessor. But the heavy armor can be most easily compared to what the modern system would call "damage reduction" or DR. For instance, an armor rating of 5 would subtract 5 points of damage directed against the character, and the remaining two affect the character. Whereas the ThAC0 (to hit armor class zero) is the scale used to determine if an attack actually hits.

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George Bennett

Comment
I don't recall seeing anything about caltrops obtained from a Bag of Endless Caltrops disappearing. Does that mean you could in theory stockpile these caltrops by regularly removing them from the bag, storing them separately, letting the bag's supply regenerate, and repeating?

Gamer Forger Response:

Holy caltrops, Batman! DCR says:

Yes and no. Sure, the caltrops stick around. But, why? You can't exactly build a business empire out of caltrops. Think of it as a deus ex machina of needing a quick escape. It saves the character from needing to carry 50 pounds of caltrops and just carrying a five pound bag, used only when the situation calls for it.


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Sarah Jorgenson

Comment
In the Redbox starter game, when you choose to be a Rogue, it says that your damage is 1D4+4. When I rolled the dice, it had all three "4" symbols facing up. Did I do 4 damage, or do I add them up to 12?

Gamer Forger Response:

We are so very sorry, Sarah. We tried our best not to laugh. DCR says,

Its a four. The highest possible result of a die roll is the number of sides of the die. Thus, the highest roll on a d6 is a 6, the highest on a d20 is a 20, and so forth. Do not multiply any numbers that appear on the die unless your DM says otherwise.

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Need Your Help

Comment
Dose the Back-stab Rogue Utility (from Heroes of the Fallen Lands) and Sneak Attack Rogue Class feature damage stack? If so, does Back-stab also get the die boost from the feat Back Stabber?

If so, then this combo for a 3rd Lv rogue with Back Stabber is possible.

Round 1: Preparatory Strike a target to gain CA next round.

Cha mod + Int mod in damage.

Round 2: Repeat Round 1 with additional Sneak Attack and Back-stab damage

Cha mod + Int mod + 2d8 SA + 2d8 BS in damage.

Round 3: Repeat Round 2 because in Heroes of the Fallen Land say Lv3 rogues get an addition use of Back-stab in the same encounter, but not in the same turn.

So technically by turn 3 a rogue could do 3x Cha mod + 3x Int mod + 4d8 SA + 4d8 BD damage.

Is this correct?

Gamer Forger Response:

Ahhhhh! So much math! DCR says:

Yes, but you're over-thinking it. The whole point of the "backstab" and "sneak attack" is that its a great equalizer. An effective sneak attack incapacitates an enemy in one blow so the fight is over quickly. Rogues, thieves, sneaks, etc. aren't meant to fight over long periods of time. Leave that to the tanks. You're over-thinking it by lumping all the math together. It's more accurate to create the equation as a turn-by-turn breakdown.



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Kevin Jacobs

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OK, I'm building a Changeling ranged DPS Rogue (Thief) for a standard 4e game starting us off at level five.

I have the following feat chain: Two-Fisted Shooter + Distant Advantage + Quick Draw

I want to be able to dart around the battlefield and be a mobile sniper. Do you guys have any suggestions to make this build deal heavy damage and still keep his mobility?

Gamer Forger Response:

John Woo! DCR says:

Sadly, crossbows don't get much love. Historically, the crossbow was made for ease of use, even amongst unskilled soldiers. Where the bow and arrow required actual training and a level of expertise just to be bad at it. There are only a few feats out there that can apply to crossbows, such as Weapon Specialization, Rapid Reload, and Dead-Eye. If you're absolutely hard-up to get more from a hand crossbow, invest in magic augmentation to boost your damage. Otherwise, you'd be better off focusing on accuracy and reliable damage, similar to a magic missile. On the darkness.

Bonus XP: If you're thinking about crafting a finer fencer, try catching any of the film versions of The Three Musketeers. Groan all you want, geek nation, but you won't be getting the combination of "tank" and "striker" without giving up something. Start with a "fighter" class to get the stronger start in martial prowess, then sprinkle in a few levels of "rogue" or "duelist" or "assassin" or "whatever" to get at least a few heavy strikes in. Once you see how futile it is to bend your game system into impossible shapes, you can stop watching the John Malkovich version.

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Richard Jacobs

Comment
I'm interested in when this constraint from vampire lore was first integrated into Dungeons and Dragons mechanics: has it been there since the first D&D vampire?

Vampires are... unable to cross running water, although they can be carried over it while resting in their coffins or aboard a ship.

The garlic legends I'm passingly familiar with, mirrors, crucifixes and inability to enter uninvited also. When was the first D&D vampire unable to cross running water? Is there some sort of explanation in any game-related material apart from "that's the way it is?"

This came up during a pre-made adventure. In this game a vampire was entombed in an underground complex. After failing to defeat the vampire in his own tomb (I know, my characters rocked) his next move as per the module was escape out the front. Unfortunately for the author they constructed the adventure so that we had to cross a stream before we even entered the complex. In the eyes of a 3.5 (possibly earlier?) vampire this means nigh-certain containment.

My characters destroyed his coffin and steal his grave dirt (leading to abuse of the phrase "I've got a jar of dirt") and the DM had him dominate people across the stream to dig him out from above the cavern, effectively sidestepping that quirky rule. After a few months, though, I haven't been able to puzzle out why that weakness even exists.

Is there any official discussion of the implications of vampire weaknesses in D&D and how to work with them?

Gamer Forge Response:

Because Role-Playing Game, that's why. DCR says:

1. Since always. Vampires were included in the original box set in 1974. The commonly held stories were used as part of the D&D mythos from the start. It's about commonality. The term "vampire" is so ubiquitous with our culture, the image so ingrained in the collective education of the last century, that "vampire" has a history book all it's own. If D&D were to suddenly change the definition for their game, nobody would want to play it. Part of the allure of fighting Dracula is the feeling of heroism that comes from defeating Dracula. If Dracula were to suddenly resemble Chewbacca, then the prospect of defeating him isn't cool anymore.

2. You have to quantify the challenge to put it in context with a game. Defeating or otherwise successfully navigating a vampire must be worth something, or worst case scenario, failing to defeat the challenge must be worth something as well.

3. The idea of vampires having limits isn't something invented for the game. The reason a vampire has weaknesses is so we can contain it within our own imaginations. If we envision an embodiment of pure evil and temptation and it has no weakness, it crosses the boundaries into a psychosis. It becomes something that in our own minds can't be stopped. We become terrified of our own idea. Not cool.

Gamer Forge Listener Email:

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Stanley Finnley

Comment
In just about every edition of D&D (save for 4e), Paladins are required to be Lawful Good. If they stray from that, they are completely stripped of their powers. This means that evil deities can't grant powers to paladins or if they do, they go into a new class (e.g. Anti-Paladin).

My question is: why? Why was it designed that paladins have to have such a strict alignment? It seems to me that it unnecessarily pigeonholes the character types and doesn't make sense in D&D world. After all, couldn't evil deities have holy warriors?

I also don't understand the mechanical decision about why was it designed that an evil Paladin has to be a different class. Wouldn't this create a problem if you wanted to redeem an evil Paladin into a good one? This never really made sense to me until 4e where they just dropped the Lawful Good restriction entirely and let you have a Paladin of Vecna (or have that Paladin of Vecna become a redeemed Paladin of Pelor without having to switch classes).

Gamer Forge Response:

Another Paladin question!?!?!?! Are you guys trying to stump us with this subject, or is it legit confusing? DCR mercifully says:

1. The alignment isn't strict. The tenants of the deity are. "Lawful" can (and does) indicate adherence to a code. "Good" indicates that the code is good in nature. This also should not have a bearing on the personality of the Paladin in question. Put the two together, and you shouldn't get "lawful stick-up-the-butt".

2. The Paladin becomes an "Anti-Paladin" or "Blackguard" prestige class if and when they deviate from the deity's tenants or in some way lose favor with their deity. Remember, a "paladin" is an exemplar of the deity's aspects or "domains". Part of the code of conduct should include advancement and perfection of those aspects. Similar to the aspects of a "monk".

3. But in 4th edition D&D, the "Blackguard" becomes a character class from 1st level. The "good" thing isn't really a factor. You can find it in Heroes of Shadow supplement book. In all honesty, it's not very good. Seriously, it's soooo not worth it.

Gamer Forge listener Email:

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Mystery Man

Comment
Can a sleeping character hide at all? If they do so, do they roll Hide when they go to sleep (for hiding their sleeping spot, etc.), or do they make an opposed roll every time someone attempts to spot them?

Gamer Forge Response:

When trying to grab a few extra winks, DCR says:

1. Finally, an easy one. You can attempt to hide yourself before you go to sleep. That's called camouflage. But you can't do it while you're sleeping, as it is something that you must concentrate on.



Bonus XP: The Paladin and Monk have a good deal in common. Indeed, the two could learn more than one thing from each other. The Monk follows an ideal along the lines of "pursue to perfection", hence the physical training regimen. Also, think of concepts like "mind over matter" and apply them to the Paladin. While you're at it, why not create your next character as a Monk, but call yourself a Paladin. Now you can see the similarities, we hope. Also, take a trip back in time by watching Enter the Dragon with Bruce Lee. A good guy following a code of  honor while fulfilling the tenants of his order and questing? Yep. That's a paladin, all right!

Gamer Forge Listener Email:

Name
Hank Johnson

Comment
There are many instances in Pathfinder and other 3.5 based systems when you might need to reduce a monster below 1 or 1/2. For example, if I'm using a CR 1/2 monster from a 3.5 source in Pathfinder, I'm supposed to reduce it's CR by 1. So what do I do in this case? Reducing the CR by 1 using rote math would put me in negative territory. Or, for a more practical example, what if I want to include many weaker versions of a weak CR 1 enemy? I'd apply the CR -1 template, but then what would the CR be?

Do I drop down to the next fractional CR? Or do I go in halve the CR?

Note: I realize that this is partially a theorycraft question, since this situation only occurs at very low level encounters or in encounters with LOTS of low level enemies. However, it's been bugging me for awhile and I'd appreciate your input.

'Tanks!

Gamer Forge Response:

It's a lot of math, but DCR cracked the case...

1. Once a challenge rating drops below five levels under the group's rating, or five levels above, that challenge shouldn't be thrown at them. It's either far too weak, or much too strong. But we totally get that you gotta quantify the challenge somehow, for the sake of calculating experience and loot.

2. However, dropping the challenge rating to one quarter means that the only time it would be worth any experience reward is at first level. So this may be a great scenario if you want some first level characters to be involved in a large scale battle.

3. Without knowing the full context of why you're dropping the CR so low, it's hard to determine the actual answer. As far as we could figure, we answered your question. If we didn't, then our answer is "Knight Rider". That's right, "Knight Rider".

Gamer Forge Listener Email:

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Michael Jacobson

Comment
I was poking around and looking at the Paladin and liked their lay on hands class feature. I, however, do not like the Paladin itself. So I was wondering if there were abilities one could acquire that work like Lay on Hands without being a paladin.

Gamer Forge Response:

I'm a paladin! And you can be, too! To get a little closer to your deity, DCR says:

1. The resource book, Defenders of the Faith, features a prestige class called a Hospatalier. It allows someone who doesn't have the Lay On Hands class feature to use it. In theory, a fighter with a high Charisma score could do it, as could a wizard or barbarian. So could David Hasselhoff in Knight Rider. Just saying.


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Dallas Gaming Group

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[email protected]

Comment
I haven't been able to find a way to create a classic dwarven battlerager that is official. I want to build a dwarf that wears spiked armor, spiked gauntlets, spiked everything, that charges enemies, grabs them, punches, bites, and shakes violently to use my body and armor as a weapon.

(I know there's an "Battlerager" fighter build, but it's unrelated to the classic dwarven battlerager.)

Gamer Forge Response:

These aren't the usual warm fuzzies that you want to share. These ones are gonna hurt! When you're trying to make the one-of-a-kind "Battlerager", DCR says:

1. Not really. There isn't a "class" that gives you everything to make what you're asking for. But, a fighter/monk combination could do it. Take your first four or five levels as a monk to increase your unarmed damage and speed. The next three or four levels should be taken as a fighter, to grant you access to the feats necessary to become a "Grapper" prestige class. Feats like Improved Grapple and Improved Trip will help immensely. A high Constitution will be more useful than a high Dexterity. You will be harm's way before anyone else and you need to be able to survive longer. Unless you're Knight Rider. KITT automatically survives everything. Its a rule. It ain't pretty, but that's how we got your Battlerager figured.


Bonus XP: If you're still having trouble putting your adventurers into large scale battles, try looking into Warhammer Fantasy or Lord of the Rings RPG. Both of these have great suggestions for creating large, outnumbered battles. If you can't quite get the numbers to balance out and heroes are either outnumbered or overpowering, have them either driving KITT, or have them face KITT in battle. Also, it would be pretty sweet to have that snarky voice making quips in the middle of Lord of the Rings-type dialogue. You should do that. Guy Named Joe will personally bestow enough experience to level your character if you do. But you must provide proof of it happening. A 30-second video would do just fine.

Previously, on Catacombs Talk Forum...

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Simon Donovan

Comment
Gentlemen,

My gaming question is this. When playing a wizard and creating magic items in 3.5 D&D is there a way to create those magic items without having to burn up experience points or if I have to atleast do it in a way that I don't have to burn a lot to do so?

Thanks

Gamer Forge Response:

Oh, Oh! It's Magic! But it's also gonna cost you. When you're making items, DCR says:

1. Nope. It will always cost you XP.
2. But...it doesn't necessarily have to cost your own. Your DM may allow you to find a way to sacrifice someone else's XP. It's very evil, but it may be worth asking about if you're desperate to not cash in your XP.
3. If you can't sacrifice someone else, the cheapest route becomes making scrolls. They cost the least amount of your experience to make. That's why wizards begin play with the feat to do so.

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Rick Richards

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I'm starting to play Star Wars Saga edition and I don't want to play a Jedi or a sith. What is a good class to play and why?

Gamer Forge Response:

A long time ago, in a galaxy far, far away...DCR says:

1. The SW Saga Edition features five (and only five) core character classes, each balanced out so as not to overshadow each other. Jedi, Noble, Scoundrel, Scout, and Soldier.
2. Scoundrel features the most commonly used skill set, along with special Talents that negate frustrating penalties, suppress enemies' bonuses, and enhance your defenses and skills. As an added benefit, this class is rounded enough to fill in gaps that may be left open by the other, more specialized classes, like Soldier.
3. However, Noble is the underdog, here. They're not supposed to be the front line fighters, nor the "caster" specialties of the Jedi. But the special Talents will help your allies in almost any scenario. Also, the "Wealth" Talent straight up gives you money just for being alive. Just so that it's clear, let's put it on it's own line in bold, italic, underline:

Free. Money.

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Steven Broadbent

Comment
We are starting a world of darkness campaign. Any advise on how to run the game since this is my first time running this system?

Gamer Forge Response:

"World of Darkness" doesn't mean "World of Confusion". When taking on this scary world for the first time, DCR says:

1. Commonality. It doesn't really matter how much you love vampires, if nobody else in the game cares about vampires. Find the level where everyone meets as far as familiarity. If your gaming group is familiar with the movie "Monster Squad", then start in a world similar to that. When giving descriptions and examples, draw from that pool of knowledge as well. On the flip side, if a player isn't connecting to what you're offering, that player has every right to not play. Respect the player's decision to show up or not.
2. Learn the core mechanic. This would apply to learning any new game system. Before you start running, you've got to understand the core mechanics. All the nuanced stuff will come with time. If you have to look in the rulebooks just to find out how to determine success at an attack, then you quickly lose the trust and respect of the players. A GM should be regarded as an authority on the subject.
3. World of Darkness is filled to the brim with it's own lore. Tap that like you would a keg in college. Each book in the system is somewhat connected, so finding lore for you campaign setting is a breeze. It looks like a mountain when put next to each other, but remember that you can just take one and leave the rest. You've gotta put on training wheels before you can ride the ten-speed.

*Bonus XP: To help get players psyched up for playing a game set in a universe closer to the real world, start with the music. If you've got a half-decent laptop loaded with music, try loading that puppy up with some tunes that might help fit the mood. Get some player input about the sorts of things they would hear in a supernatural thriller. To give that extra kick in the pants, try creating several playlists to reflect radio stations, so when characters hop into a car, have a radio station turn on and start playing. It's a little more effort to put it together, but so worth it once players begin to "get it" and feel more connected to the world that they are helping shape. For help in getting started, just turn on your radio in your own car, and scribble some quick notes on five or six random stations. Also, playing the classic Grand Theft Auto: Vice City is a great way to start. The music makes for a more personable, if not perfect, immersion experience.